Thursday, 18 June 2009

Zafra, Merida y Trujillo

I have now left Andalusia behind and am in the land of the Conquistadors.

Cordoba to Merida is a long drive, so I stopped at a town called Zara, not knowing anything about it, I was charmed by the lovely main square and I even found a potter who told me how there used to be a whole bunch of potteries, but he was the last. I bought the bowl on the left, oops.

Walking passed a half opened door, I looked in and saw this entrance hall. The Arab influence is still very evident in these parts. They say that the province of Extremadura is like this up until Merida and then it changes quite abruptly. I will let you know.

The potter also showed me these drinking vessels and said young people no longer used them and that really people only bought them for sentimental reasons or because the tourists thought they where quaint. I like the pattern on them, made simply by rubbing a stone over the damp surface of the clay.

In Merida I walked by the market, still busy at 12 noon. It was incredibly hot and I made a mad visit to the Roman theatre, but had it to myself.

After a lunch of chickpea soup followed by grilled fish and salad, finished with a small flan and a coffee I had to take a nap like everyone else.

Merida is famous for its Roman ruins and is very modern museum, built by a famous Spanish architect called 'Maneo'. The building is fantastic and the collection has some pretty amazing things in it too, unfortunately the website is not very helpful.

In 1998 the province of Extemadura began awarding one person the title of 'Master craftsman' every two year. Luckily for me the six men named Masters since then where exhibiting their work for the first time at a show in Merida. I arranged to interview one of them, Lorenzo Vinagre at his work-shop on the outskirt of the town.

He and his brother have a shop in town. Lorenzo is the 'craftsman' and his brother Juanma is the 'businessman'. Like so many craftsmen in Spain he learned his craft at home. He can produce all the traditional, functional items people used to use, but also has his own contemporary take on them and is now working on commission with architects, doing murals in hotels and bars. To supplement his income he makes reproductions of roman clay objects that are sold at the museum, with the help of mentally disabled men he knows from working at the local asylum.

Again, I was told that traditional objects did not sell, where not used... so it was rather satisfying to see a drinking vessel (called a "botín" in Spanish) being used quite a lot at the local breakfast haunt in Trujillo. The thick clay keeps the water cool and the object is far more attractive than any plastic bottle.

I was there stuffing my face with churros again. Trujillo is magical, there is something slightly oppressive about it, with all the stone and churches built with the money the conquistadors brought back from the new world. This is the birthplace of Pissarro, the most famous of the Spanish adventurers and also one of the most ruthless.

You can imagine why, this is a small village built on a rock etched in a harsh, dry landscape. Tough people, with the options of going either into farming or the church.

I found the last whicker worker in Trujillo, four generations and he would be the last. I loved watching him work and admired the work of his father. He was very happy to explain how the tools work and how the whicker is soaked and toasted and how it is split. He can't compete with plastic objects and the Chinese market, but showed me how their products are of an inferior quality to his. He was currently mending some chairs he had made 20 years earlier for a bar.

The bull head was a replica commissioned by a well known family in these parts, who had known Picasso, there is a famous picture of the painter holding a whicker bull head over his head, and they wanted a copy.

Before leaving I had a wander around and saw this tempting window display. A lot of the typical sweets here are made by local nuns, you can go directly to the four or five convents in Trujillo and buy it from them. You wont see the women, you simply ring a bell, state what you want, put the money in the rotating window and then wait for the packages to appear. The nuns have all taken a vow of silence and seclusion.

Time to head for Caceres.

Wednesday, 17 June 2009

Ubeda and Cordoba


Picked up the car, left Granada and headed into the heart of Andalusia, HOT! I am staying at a lovely hotel in a tiny village called Manjibar, between Jaen and Ubeda. I wasted most of the afternoon trying to connect my Mac to the WiFi. Only place it seemed to work was by the bar! To relax, I made the most of the hotel spa - sorry, no pics. of that.


Next day I drove to Ubeda, worth a visit: "The village was founded in the 9th century by Abd al-Rahman II and it was called Ubbadat. It became one of the most important cities in al-Andalus due to its handicrafts and trade. Its walls were built in 852. Kings Alfonso VI and Alfonso VII tried to conquer the village, with different degrees of success. Almoravids and Almohads conquered it successively in the 11th and 12th centuries. King Fernando III finally re-conquered the city in 1234.
The city took part in the siege of Algeciras in 1344 and some years later it was set fire to and suffered the killings ordered by Muhammad V. The many fights in Baeza led the Catholic Kings to order the walls and towers of the fortress to be destroyed in 1503.
San Juan de la Cruz died in this city. Ubeda has received the name of City of Andalusian Renaissance due to the quantity and quality of the monuments belonging to this artistic period, though it is also quite representative of the Plateresque style."


I had the privilege of interviewing 'Tito Martinez' and his sons. Nationally recognized artists in their field, due, I think, to the evident duel talent for craft and commerce. The shop is never closed and all the family helps out. They make the most of every bit of publicity and the huge shop they have is in a beautiful old house. It is part museum and part workshop and I spent such a good time there I ended up buying something!
Which I had promised myself I would not do, (as I have to lug it around for 8 more weeks), but I was so impressed with their knowledge of traditional styles as well as current events and connections in the ceramic world. The son is finishing a degree in Philosophy at the moment.
Here is the clan and a picture of Tito Jr about to show me how it is done.


















After a lazy night and a fairly lazy morning - I hardly ate the day before so decided to go to a cafe before leaving and pigged out on toast and tomato spread swallowed down with a thick milky coffee. Next stop, Cordoba, my mother's birthplace and home to an aunt and five of her seven children. I was looking forward to seeing them all. It has been over 20 years since I was last here, but families are close-knit and I knew I would get a warm welcome.
Recently Obama said he wished the world were more like Cordoba. He was referring to the fact that Jews, Christians and Arabs lived together in Cordoba harmoniously for many hundreds of years. Ironically it was the liberal Arabs who encouraged this when they were the masters - they employed Christians as high ranking officers in their courts. Then the Christians took over, and the new lords where less tolerant. The Spanish have only started to acknowledge their Moorish cultural heritage in the last 20 years.

I was once again extremely lucky in finding exceptional artisans during my three days here. I could have spoken to more if I did not need to catch up with so many relatives!
The Gentleman on the left is a leather-worker; so exceptional I am going to write a separate entry on him! And below is an example of filigree silver. Cordoba is mainly famous for leather and jewelry. However, there are hardly any traditional craftsmen left. Only two 'houses' do filigree jewelry, which is like embroidery with silver threads, and no attempt is being made to incorporate this process in a more modern way. I was unable to speak to either of the workshops.

My aunt was once almost betrothed to the leading leather worker, but she did not like his damaged eye, due to an accident with a sibling. I went twice to the shop but both times it was closed. I did see my cousin's husband's father, who is a self taught painter and now appreciated for his traditional style. His work is seen on all the annual posters for the fairs and the open air cinema season people enjoy here so much.

I also met a wonderful old master, called Rafael Centella Palomo, a furniture maker who showed me his best pieces - the ones he wont sell. He would love to teach his craft, but as he does not have the qualifications to teach, his experience will not be passed on. There should be a way of allowing old masters to teach, without making them fill out papers or take exams or pay for heath and safety certificates. Here in Spain if someone decides to have an apprentice they have to pay all the costs including national insurance. These crafts men have lived frugal lives and barely have enough saved up for a decent pension.



Rafael has no children and sleeps in the huge bed his father made as a wedding gift to his wife. The small flat is full of wonderful pieces of furniture, chess sets, walking sticks and boxes made of scented woods like sycamore and sandalwood.




The last place I went to was the “Zoco”, a group of workshops for contemporary craftsmen in a beautiful old courtyard, subsidized by the local council, but most of the workshops where boarded up and there where no traditional master craftsmen to be seen. I spoke to a lady called Carmen Lucena who calls herself a 'creative ceramicist'. She was up to date with modern technology and chaired a small exhibition group. However, she admitted that there was a lot of talk and little action coming from the council, they had been promising to help out with a “Zoco” website, but due to cut back and recession this had not happened yet.
Cordoba still has a lot of artisans, but there seems to be little dialogue between the different generations and and they are either hampered by a lack of commercial knowledge, or a lack of technical expertise.

I have one last delicious lunch with my aunt and cousins and leave Cordoba reluctantly in the blistering heat.

Friday, 12 June 2009

Granada

Before I go on to Granada, I must mention that my aunt taught me how to make flan!...

and Sunday breakfast was my favorite - Churros and coffee.

I hope you don't mind the chronological diary of culinary experiences, but food is very much part of the culture here.

Granada was a lovely temperature and as I arrived in the afternoon, I was able to take an early evening stroll.

A shop was open selling lace and embroidery and I asked if these skills where taught locally, they replied that there where some courses on offer at the local school round the corner...


I got to look inside this School of 'Arte y Oficio' which translates as a school for ‘creative work skills’. Chatting to the doorman, it turns out he is a retired metalworker and uses the studio to make things for friends. He was currently making a coat rack.

Dinner consisted of beer and a free 'Tapa', followed by a sample of the local chorizo.

The city is littered with workshops and studios. I had not organized any interviews in advance. Not a problem.

At the tourist office I explained what I was doing and was immediately directed to Esperanza Romero. A ceramic artist with a foundation course at Clerkenwell and degree at the RA, she also does etching and tile installations.

Other people I interviewed where Maureen Booth, a printing artists, she and her husband who have lived in Spain for over 40 years. They took me out for a fantastic lunch, which included this dish of rise with fish stock and parsley.

Ramon Rubio, head of conservation at the Alhambra – was absolutely amazing, I am full of admiration for what he has achieved over the last 20 years. He is 'the' expert in Arabic plaster and totally self taught.

Murina Mendoza, one of the last leather workers in Granada,

and Rafael Morano, someone I was dreaming of meeting and who then happened to cross my path, literally. We ended up at the bar, drinking wine and talking about putting the world to right.

One of the most revered Guitar makers in Granada!

The Last thing I did before leaving this wonderful city was to go up to the Alhambra for a night visit, recommended to me by Mr. Rubio. I chose not to take the camera, sometimes it is good to leave everything behind and enjoy the moment.

Next I head up to Ubeda and Cordoba.

While in Madrid...

Time goes quickly when you are having fun! Have already met some amazing people... and am really enjoying getting into the Spanish way of life.
On arrival I was fed - a natural and instinctive element of life on the continent. Delicious fried fish and the typical dessert of Madrid, fresh cheese with quince, (see pic.1). The day I went to see to the National Museum of Decorative Arts - a small and rather old fashioned museum compared to our wonderful V&A, but with some gems!
(pic. 2).

I had three interview of which the last was actually a maker - one of the most respected Bullfighting costume makers in the world. Whatever your feelings towards the sport may be, you can not deny that the outfits are amazing. I spent a very happy couple of hours sitting amongst the seamstresses and talking to Señor Antonio. He was a charmer and more than happy to talk about the future of his trade.

His staff of 12 have no formal training except one girl from France who came over after graduating from a textile degree. There is no such thing in Spain. This is all about to change however with the Treaty of Bologna where all applied art courses can lead to a degree with the same kudos as any other subject. This however omits to address the 'old Masters', or highly skilled craftsmen and women who have neither the time or wish to go back to school. They end up missing out on some of the benefits now available, because they don't have the "qualifications" required! I need to look into this further and make sure all my facts are correct, if anyone can enlighten me further - please feel free!













The following day I went to the outskirts of Segovia where the National Centre for Glass is. It was brought to my attention by Katherine Coleman, who teaches there. I was really impressed with the set up and although it has its problems, due to the fact that it is funded by the government, I really hope it continues to attract the best glass artists in the world, which it is at the moment.

It has four roles; as a museum, as a school for advanced glass students and for unemployed workers, manufacturers and chandeliers repairers and as a research centre.

Here you can see the chandeliers that have been mended.



And here is a student paining on panels of glass.



Definitely worth a visit, for more information have a look at their website, although you might need a little help with the language: www.fcnv.es
(I shall be adding all links to the web database for apprenticeships.)

That's all I could fit in before leaving Madrid.
Next Granada.

Monday, 18 May 2009

AWG events of interest

ART IN MIND at the Brick Lane Gallery
until the 25th May
is showing works by Brother Claire McDermott
196 Brick Lane, London E1 6SA
www.thebricklanegallery.com

Illustration Cubboard
a gallery specializing in book illustrators work will be hosting two exhibition of interest:
20th May - 13th June
Angela Barrett - Sylvie & the Songman
and in the Autumn, 20th October - 13th November
John Lawrence & Treasure Island
for more information see their website:
www.illustrationcupboard.com
22 Bury Street, London SW1 6AL
Tel: 0207 976 1727

June itinerary in Spain

I can now reveal my movements for the month of June. Hotels are booked, car hired and contacts made with the first few organisations and makers!
I start of in fare Madrid, then head south to Granada, from hence I pick up my steed and head inland through Jaen towards Cordoba where my maternal liniage lies. I have family, too many to mention, who I shall break bread with, but the road trip is packed and I move on swiftly into Extremadura, land of the conquistadores, dry, arid, poor and untouched. The lesser known route to Santiago de Compostella, also know as the 'route of silver':
Merida, Trujillo, Guadalupe and Plasencia:

Plasencia


Plasencia is a walled market city in the province of Cáceres and part of the region of Extremadura (at the Douro's river 'extreme') in Western Spain. Population (±) 41,000 (2006). On the bank of the Jerte River, in the Extremaduran province of Caceres, Plasencia has a historic quarter that is a consequence of the city's strategic location along the Silver Route, or Ruta de la Plata. Since the 15th century, the noblemen of the region began to move to Plasencia, defining its current appearance. Palaces, ancestral homes and significant religious buildings make up a unique old quarter..

You can look up all these towns on wikepedia if you want more information on them.

I then drive into the province of Castilla y León and will see the great cities of Salamanca, Zamora with its 24 Romanesque churches, and the famous gothic cathedral of Leon. Not too much time for sight seeing as I will push on over the Picos de Europa and into Cantabria by the 25th June. I shall stay for a couple of nights just outside Santander in the lovely town of Santillana and then head west along the coast to Gijon and Oviedo in Asturias. My final week is in Galicia, where I shall stay in some amazing Paradors:
Villafranca del Bierzo
Monforte de Lemos
Santo Estevo in
Orense
Cambados
Baiona
If you have not heard of the Spanish Paradors, check out the website www.paradores-spain.com to see where they are and what they look like.

The first leg of my journey ends here on the western shores near Vigo. I return to Madrid on the 5th July, but I intend to update this site regularly to share with you the people I meet and things I see.